Essays on phenomenological encounters with the world.

Explores questions concerning animals from a continental perspective.

_Explores questions concerning animals from a continental perspective._.

This wide-ranging conversation explores the potential of comedy to effect social change; the connections and disconnections between comedy and tragedy; the problem of laughter, humor, and ridicule; and the power of feminist humor.

Painting, seeing, concepts -- Gone, missing -- Arshile's heel, Gorky's line -- You are here and not here: the concept of conceptual art -- Moving pictures & memory -- The doubling of death in the films of Michael Haneke -- Yep, Gaston's gay: Disney and the beauty of a beastly love -- And say the zombie responded -- Other animal others -- The man who mistook his meal for a hot dog -- Rachel Rosenthal was an animal -- Laughing beyond (...) modernity -- It's just a bunch of stuff that happened -- Quantum Andy. (shrink)

The direction of this text is both phenomenological and prescriptive as it attempts to provide a phenomenological foundation for communitarian ethical theory. It argues that the Ego and the Other arise together in sense and we are committed to community in a foundational way.

In this essay I attempt to unpack Andy Kaufman in his many manifestations, ultimately arguing that traditional notions of comedy cannot help us get at the root of what is going on here. Through a discussion and criticism of the theories of comedy presented by Christopher Fry, Susanne Langer, Walter Kerr, and Maurice Charney, I suggest how Andy's comedy employs a rejection of the modernist conceits of a fixed identity, a denotative language, a progressive history, and a separation of temporality (...) from Being. Ultimately focusing on the way in which Freud's theory of comedy gets deconstructed when we read it through the lens of Andy’s work, I take apart specific jokes and comedic “moments” in Andy's work and show how the Freudian framework cannot support such an aesthetic. What is, in fact, most challenging in Andy's work as a comedian is not merely the way in which his own identity is up for grabs but the way in which he forces the audience to have its identity as an audience called into question, the way in which a Baudrillardean simulacrum stands in for a missing punchline while we, his fans, wait for something that is never coming. And yet we, his fans, laugh. Sometimes uncomfortably, but always more authentically. (shrink)

The long history of the overlap of science and philosophy finds a focal point in cosmology. In an effort to examine what happens when science and deconstruction encounter, this essay thus begins with, and follows the path of, cosmology. I start by suggesting a new solution to the oldest question in cosmology: why is there something rather than nothing? From this, I attempt to outline the way in which necessity is thought to operate by means of natural laws, tracing the (...) sense in which science's demand for falsifiable claims creates an aporia in which its truths are not ultimately truthful and its necessity is not necessary. Focusing on the ways in which différance and the autoimmune can help us open up the work of science, I come to suggest two new tropes, that of apoptosis and the remainder, arguing that the inherent openness of science can be one of its strengths, especially if we ask the question of what remains to be asked once science has answered a question. (shrink)